Editor: Mark D. White
Series: Blackwell Philosophy And Pop Culture
Series Editor: William Irwin
Genre: Nonfiction/Philosophy, Popular Culture
Amazon's Rating: 4 1/2 out of 5 stars
Ennui's Rating: 4 stars
What the book's about: The highly acclaimed graphic novel, Watchmen, which was selected by Time Magazine to be one of the 100 best pieces of literature of the 20th century was littered with philosophical allusions. Even the fact that a graphic novel appears to the subject of one chapter of the book. The book maps out the intentional philosophical references and those that might have fans returning to the book to evaluate the arguments.
Thoughts: Cheesy, I know; but I'm a sucker of philosophy and an even bigger on when it comes to pop culture. However, the book is a must read for fans of the graphic novel and those who are scratching their heads after watching the film - caveat: the book follows the graphic novel and not the motion picture; if you haven't read the book, it is suggested that you do because, as with all adaptions, the film rearranges time lines and rewrites events.
There is little I can say about the book, however - really, how does one review a book on philosophy of popular culture without trying to muck of the book or explain each chapter one by one? The arguments made are compelling, provoking one to return to the graphic novel and recheck previous assumptions - that is if you're reading the book as literature and not just a graphic novel.
The topics range from what is good and evil, what is virtuous, homosexuality, feminism (which, by the way, was actually my favorite argument), political philosophy and the metaphysics of Dr. Manhattan. However, it would seem the two most popular characters these philosophers wrote about were Adrian Veidt (Ozymandias) and Rorschach (the subtitle is, in fact, A Rorschach Test). It's understandable why these two characters are the most famous - if you break down the graphic novel, you'll see the whole thing revolves around the deontology of Rorschach and the utilitarianism of Veidt. Nite Owl is touched upon, being claimed as the most virtuous character in the book. Silk Spectre (the first and second) are really only mentioned as main subjects in one (can you guess the topic?) and only slightly touched on in the other essays, if at all. Dr. Manhattan is another famous character - he gets his own section in the book! - especially when it comes to metaphysics (no surprise there).
It's a great read and I highly recommend it to those who are still trying to grasp and understanding of the graphic novel (or those of you who opted to watch the movie instead and are still scratching your heads about what just happened).
Series: Blackwell Philosophy And Pop Culture
Series Editor: William Irwin
Genre: Nonfiction/Philosophy, Popular Culture
Amazon's Rating: 4 1/2 out of 5 stars
Ennui's Rating: 4 stars
What the book's about: The highly acclaimed graphic novel, Watchmen, which was selected by Time Magazine to be one of the 100 best pieces of literature of the 20th century was littered with philosophical allusions. Even the fact that a graphic novel appears to the subject of one chapter of the book. The book maps out the intentional philosophical references and those that might have fans returning to the book to evaluate the arguments.
Thoughts: Cheesy, I know; but I'm a sucker of philosophy and an even bigger on when it comes to pop culture. However, the book is a must read for fans of the graphic novel and those who are scratching their heads after watching the film - caveat: the book follows the graphic novel and not the motion picture; if you haven't read the book, it is suggested that you do because, as with all adaptions, the film rearranges time lines and rewrites events.
There is little I can say about the book, however - really, how does one review a book on philosophy of popular culture without trying to muck of the book or explain each chapter one by one? The arguments made are compelling, provoking one to return to the graphic novel and recheck previous assumptions - that is if you're reading the book as literature and not just a graphic novel.
The topics range from what is good and evil, what is virtuous, homosexuality, feminism (which, by the way, was actually my favorite argument), political philosophy and the metaphysics of Dr. Manhattan. However, it would seem the two most popular characters these philosophers wrote about were Adrian Veidt (Ozymandias) and Rorschach (the subtitle is, in fact, A Rorschach Test). It's understandable why these two characters are the most famous - if you break down the graphic novel, you'll see the whole thing revolves around the deontology of Rorschach and the utilitarianism of Veidt. Nite Owl is touched upon, being claimed as the most virtuous character in the book. Silk Spectre (the first and second) are really only mentioned as main subjects in one (can you guess the topic?) and only slightly touched on in the other essays, if at all. Dr. Manhattan is another famous character - he gets his own section in the book! - especially when it comes to metaphysics (no surprise there).
It's a great read and I highly recommend it to those who are still trying to grasp and understanding of the graphic novel (or those of you who opted to watch the movie instead and are still scratching your heads about what just happened).